FIGHTING THINK TANKS & TROLL FARMS IN THE WAR FOR TELLING THE TRUTH ABOUT RUSSIA – HELLEVIG MEMORIAL LECTURE

By John Helmer, Moscow 
  @bears_with

In November 2001—twenty years ago — I gave a lecture in Moscow entitled: “Stealing the Truth – How to Read, and Not to Read, the Press In Russia”. The text has been lost. I am grateful to Ajay Goyal, the organiser of the Hellevig Lectures, for inviting me to bring the message back to life.  

In the interval, Jon Hellevig lived his productive life in Russia. He and I both wrote for The Russia Journal and he set many examples of disciplined investigation leading to fearless publication of the truth.  I salute him and his memory for what he achieved as an example to those of us who knew him and who live on.

In Soviet days, Russian reporters, editors and readers had shared an understanding of how to write and how to read the real message, the truth, between the lines of the printed text. This was a subtlety western readers have taken time to learn. The invention of the tweet struck with blunt force trauma; its unsubtlety came later. Then the US and the NATO allies opened the Ukraine front of their war against Russia in February 2014; the economic warfare sanctions followed the Ukrainian plot to down Malaysia Airlines Flight MH17 in July 2014; the war on the Syria front escalated from September 2015; and the two Novichok operations were launched — the British one involving Sergei Skripal in March 2018, and the German one involving Alexei Navalny in August 2020.

In wartime, with Russia and the truth about Russia under the gun, you will understand me when I say I shall not allow my remarks to give aid and comfort to the other side. What I have had to say about domestic and internal Russian politics and the features of the Russian oligarchy are in print for all to read. There will be more to say — though not here, not today.

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NOW THAT JOHN LE CARRÉ IS DEAD, IT’S TIME TO REMEMBER ERIC AMBLER

by John Helmer, Moscow 
  @bears_with

Elephants are the truly self-knowing creatures of our world.

We know this because when they are about to die, they go somewhere no one else can find. It’s the elephantine way of saying they aren’t convinced they are leaving anything behind that’s worth remembering, so in their last act of will, they escape the speculators.   

Not so writers, especially the big-money ones. Thus, when John Le Carré (aka David Cornwell) died over the weekend, we know that it happened in Truro, Cornwall; in a hospital; and that the cause of death was pneumonia, but not the Covid-19 type.  He was 89 years old.  

His commission agent issued a statement claiming he should be remembered for having “define[d] the Cold War era with the help of his character, George Smiley, and through his complex plots and beautiful prose, beamed a harsh light at the injustices of our world.” In marketing circles this is known as talking your book. The agent attached two hyperboles – one approximately true, one absolutely false. “He has sold more than sixty million copies of his work worldwide. His like will never be seen again.”

The Murdoch Times also tried hyperbole: “[Le Carré] created a new school of fiction, not so much spy stories as anti-spy stories, convoluted tales of disillusionment and betrayal.” The Financial Times cut the pedestal down by several notches. “[He] elevat[ed] the spy novel to a higher literary form that reached well beyond the flimsy, hard-boiled, action-packed capers often common to the genre.” If you think about that for an instant, it’s no reach at all. It’s a description of the FT’s reporting on Russia.     

The Guardian momentarily suspended its Russia-hating obsession to record the career and personal betrayals Cornwell performed against fellow Englishmen when he was employed as an agent, first of MI5 and then of MI6. Evidently, there was much worse he did to them, but the newspaper’s obituarist added: “the precise details of his work have never been spoken of.” This comes close to the truth about the Le Carré books – from them we learn next to nothing about the other side, only how discreditable our side is.

“Always George’s problem,” le Carré wrote in his last tale of his best-known MI6 officer, George Smiley, “seeing both sides of everything.” About the Russians, not so — not Smiley,  certainly not Le Carré.  

It was clear last year that he had ceased to have his wits about him when he wrote the following to be pasted on the front cover of a book MI6 had dictated about the Skripal affair  to a BBC correspondent called Mark Urban. “A scrupulous piece of reporting,” Le Carré wrote —  “necessary, timely and very sobering”. Later, when the evidence was pointed out to Le Carré that he had been quite wrong, and was asked to set his own record straight, he arranged the following pretence with his agent. She wrote: “Mr Cornwell is away writing currently and has asked that we decline all requests for him at this time.”

Now that Le Carré is away permanently, it is time to remember his predecessor, Eric Ambler (lead image, left and right). He died also aged 89; that was in London in 1998. At the time it was said he had “raised the thriller to the level of literature. He brought intellectual substance to the genre at a time when it often suffered from shortages of surprise, maturity, verisimilitude and literary skill.”

On his way out, Ambler said: “Thrillers are respectable now. Back in the beginning, people weren’t quite that sure about them. But ‘they really say more about the way people think and governments behave than many of the conventional novels. A hundred years from now, if they last, these books may offer some clues to what was going on in our world.”

With elephantine flair he titled his autobiography “Here Lies Eric Ambler”. There Ambler tells of creating “Soviet agents who were on the side of angels”, and the “only Communist Party speaker who ever carried conviction with me”. Ambler amused himself, and also the reader, when eating eggs on toast in a café on the Edgware Road with the Communist and a professional burglar. According to Ambler, the latter told the former: “I suppose you could say that I redistribute wealth”.

In the real world Cornwell would have reported to his superiors on them both; in his fiction Le Carré would have affected guilt.   Ambler judged both to be laughable, the latter more so.

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WHEN THE SIN OF THE FATHER REVISITS THE SCENE OF THE CRIME – BERLIN SENDS ARNDT VON LORINGHOVEN TO WARSAW TO BE GERMANY’S AMBASSADOR TO POLAND

By Stanislas Balcerac, Warsaw, translated from Polish with illustrations by John Helmer, Moscow 
  @bears_with

Arndt Freytag von Loringhoven (lead image, right), a former deputy head of the German intelligence agency BND, and more recently the NATO intelligence chief, a newly created post, is now to take over as the new German ambassador in Poland.

This is a strange nomination, is it not, when ex- intelligence bosses are being despatched to run the German legation in a friendly, allied state?

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ANNA AKHMATOVA’S 130TH BIRTHDAY – THE RUSSIAN POET OF #MeTOO LONG BEFORE HOLLYWOOD DISCOVERED IT

By John Helmer, Moscow
  @bears_with

The Russian literary intelligentsia doesn’t have a long history – just 200 years of the Russian language in poetry, for example. So it’s to be expected that the writers, including the poets, haven’t had time to overcome the resentment and envy of each other which is still the Russian intelligentsia’s most distinguishing feature, and consuming vice.  London and New York writers have been longer at scribbling for a living;  their vice is still unbridled.

Anna Akhmatova, one of the greatest of Russian poets by the consensus of the poets themselves, suffered throughout her life from every form of resentment causing her no end of hardship. The resentment and betrayals of her multiple husbands and lovers (male and female); of her housekeepers, nurses, and acolytes; of her son Lev Gumilev (Gumilyov); of her fellow poets and members of the Soviet Writers’ Union:  Akhmatova’s fortitude in suffering this  is now part of the history of her character which is as celebrated as her poetry. This is because her poetry may be considered a variable, a matter of aesthetic taste and fashion, which change with the times.

Her endurance, on the other hand, is a constant – her achievement as a Russian who endured the civil war, Stalin’s terror, the German war, the siege of Leningrad, the Communist Party’s punishment. Also, her achievement as a woman whose lyrics of love, abandonment, loneliness and death are a testament to the survival of the spirit against the material odds.  (more…)

FAKING FICTION IS LUCRATIVE, ALSO DANGEROUS – MIKHAIL SHOLOKHOV’S STORY

By John Helmer, Moscow
  @bears_with

Somerset Maugham, the leading story-teller in the Anglo-American market a century ago, said there are three rules for writing a best-seller, but he added: “no one knows what they are.” As unlikely as it is for the profitability of a major line of business to be as unpredictable and irrational as Maugham claimed publishing was, writers and readers go on believing it. It’s the big fiction — talent versus the law of the market.

Mikhail Sholokhov was both talented and also the best-selling writer of the Soviet period.  The centenary of his birth on May 25, 2005, was celebrated by President Vladimir Putin with a visit to Sholokhov’s home and family in the Rostov region.  “Isn’t there anything to remember from the Soviet period except Stalin’s prison camps and repressions?” Putin had asked in a presentation to the State Duma of new legislation on the Russian state symbols.  “What about Dunayevsky, Sholokhov, Shostakovich, Korolyov and our space achievements?” Sholokhov is the only writer on that list.

He was — he still is a symbol of the state. For that reason, although he died in 1984, his four-volume work, Quiet Don (Тихий Дон; also And Quiet Flows the Don), published between 1928 and 1940, continues to draw fierce argument in the Russian press. The first of the allegations against him is that he plagiarized the Quiet Don. That began almost immediately after the first volume was first published in 1928; the debate continues this year on Russian television and the internet.  The second allegation is that Sholokhov and his book would not have succeeded if not for the protection and patronage of Josef Stalin; the charge against Sholokhov’s work is that it’s the discreditable product of Stalinism.

A newly published book by an American academic, Brian Boeck, gives the lie to both these  charges against Sholokhov. But Boeck does much more. He reveals the history of money-grubbing, death-dealing faction-fighting among Russian writers which hasn’t stopped. And that’s the law of the market, which the writers (and other Russian artists and intellectuals) cannot  escape, not under Stalin before, nor under Putin now. The law of the market is that competition for money generates fraud, faking, and when everything else fails in time of war, violence. (more…)

THE FICKLE FINGER IS STILL VASILY GROSSMAN’S FATE

By John Helmer, Moscow

Journalism is war by other means. If you don’t understand this you are either an enlisted soldier or a  casualty with a serious head-wound.  On the ground covered by journalism it’s impossible to hide;  innocent civilians are inevitably caught in the cross-fire.

Most Russians have known this since the start of the nineteenth century.

After Anton Chekhov’s reports from Sakhalin were published between 1891 and 1893, Russian  journalism didn’t recover to his standard for fifty years. It began again at the German invasion on June 22, 1941. But it lasted for just four years – until the Red Army victory in Berlin and the capitulation of the Germans in May 1945.

Vasily Grossman (lead image) was one of the very best of the Russian reporters on the front in that brief period. He far excelled his English-writing peers on other fronts, particularly American fakers like Ernest Hemingway. 

A new biography of Grossman, published in the US, reveals in Grossman’s own words why he is still a model of the genre in Russian. It also explains how and why he was silenced on orders of Josef Stalin, and his major book, combining his battlefield notes and interviews, banned from 1961 until 1988.  

“Evil is overthrown”, Grossman reportedly said to another Russian correspondent on the roof of the Reichstag on May 2, 1945. Just for the time being, he acknowledged later on.

There can be no irony, just dismay that Grossman’s biography demonstrates that the biographer, Alexandra Popoff, a Russian turned Canadian, and her publisher, the Yale University Press, have no comprehension of what Grossman meant, nor of his lesson for journalism the world over – that evil isn’t overthrown.  That today, as you read this, it’s alive and well in Canada and at Yale University, not to mention Berlin (again), Paris, London, Washington, and not to forget, Moscow (again). Grossman the Russian soldier is on the opposite side from Popoff the American soldier. (more…)

MONTAIGNE’S TIP FOR THE NEW YEAR — AND FOR ANOTHER YEAR OF AMERICAN WAR AGAINST RUSSIA

By John Helmer, Moscow

A man who hates the subject of his writings is as pitiable as a coprophagic with haemorrhoids. The more he consumes of what he desires, the more painful he knows will be the consequence.

Termites and rabbits do plenty of the former, but Mother Nature has relieved them of the latter.  Russia-hating writers on Russia are not so favoured; they are the only cases I know which combine, and enjoy,  the perversity with the pain. In their cases, there’s always been something missing between their upper and lower holes – I mean more is missing than a sense of taste and a sense of humour.

Michel de Montaigne, the French politician and writer of sixteenth century France – inventor of the essay – is their antithesis. He deserves to be remembered for two mottoes we shall need in 2018. Re-read the essays in the translation by Donald Frame here.  Ignore the recent biography by a Chicago professor of French origin named Philippe Desan; he has spent an academic career and eight hundred fresh printed pages revealing his envy that Montaigne will be read for longer than Desan will be forgotten.  Envy like this will also have to be overcome to get through the coming year; more of that in a moment. (more…)

THE PRESIDENT’S INFERIORITY COMPLEX , HIS ADVISOR’S RUSSIA-HATING OBSESSION, AND THE PUTSCH PLOTTER WITH THE ITCHY TRIGGER FINGER

By John Helmer, Moscow

The widow of Cyrus Vance, the only US Secretary of State to resign in protest against his president’s actions in a hundred years, called Zbigniew Brzezinski, President Jimmy Carter’s National Security Advisor and Vance’s rival, “that awful man”. Not a single official of the State Department under Vance during the Carter Administration of 1977 to 1981, thought differently. Most of them had monosyllabic terms for Brzezinski.  Since Brzezinski died last Friday, not a single member of his own  White House staff has made a public statement in his honour, memory or defence. The mute ones include Madeleine Albright, who owed to Brzezinski her career promotion as an academic, then White House staffer, then Secretary of State herself.  

Despite the disloyalty of those closest to him, and the detestation for Bzezinski of those further away, he was, and remained, Carter’s favourite. Between 1977 and 1981, Brzezinski’s time with Carter, according to the White House logs, amounted to more than 20% of the president’s working time.  That’s 12 minutes of every hour — no other official came close. On Friday, shortly after Brzezinski’s death was announced by his family, Carter issued a statement extolling him as “a superb public servant…inquisitive, innovative, and a natural choice as my national security advisor …brilliant, dedicated, and loyal. I will miss him.”   

What was this bond between them, and why does it matter now?  One reason is that what they did together were the freshest American operations studied at KGB schools in Moscow by a recruit in training at the time named Vladimir Putin.

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ZBIGNIEW BRZEZINSKI, THE SVENGALI OF JIMMY CARTER’S PRESIDENCY, IS DEAD, BUT THE EVIL LIVES ON

By John Helmer, Moscow

If ever there was a man who displayed on his face the evil on his mind, it was Zbigniew Brzezinski, (lead image, right) who died last week at a hospital near Washington.

Former President Jimmy Carter, who employed Brzezinski as his National Security Advisor between 1977 and 1981, the only high official post Brzezinski reached, said he “helped me set vital foreign policy goals, was a source of stimulation for the departments of defense and state, and everyone valued his opinion.”  Of Carter’s three claims, only the first is true; the second is ironic hyperbole; the third is completely false. If Carter cannot tell the truth now about Brzezinski, after having 36 years to reflect on it, Carter reveals the principal source of Brzezisnki’s power, when he exercised it.   For Carter was no innocent ventriloquized by the evil Svengali (lead image, left), as in the original Svengali tale. Carter was simply more mendacious than Brzezinski, and is entirely to blame for doing what Brzezinski told him to do.   (more…)

BARRY PARSNIP FOR THE NOBEL PRIZE – HOW INFO-WARFARE AGAINST RUSSIA WORKED BEFORE, NOT SO WELL THESE DAYS

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By John Helmer, Moscow

 If you were the only person in the world who thought yourself a genius, it would be an embarrassment to be named Barry Parsnip.

Robert Zimmerman solved the nomenclature problem. He became Bob Dylan – and Hey Presto! He won the Nobel Prize for Literature for 2016.

Barry Parsnip (aka Boris Pasternak) didn’t solve the problem. But it was solved for him by a combination of the British, US and Soviet secret services, with an assist from the Dutch and Italians.  He won the Nobel Prize for Literature for 1958 before his novel, Doctor Zhivago, had been read in the original Russian by more than a thousand people, counting government officials. Following the prize-giving until now, about 10 million people have read it, mostly in translation. But time and numbers haven’t improved either on Parsnip or on Zhivago. It is still, as Vladimir Nabokov said at the start, “a sorry thing, clumsy, trite, and melodramatic, with stock situations, voluptuous lawyers, unbelievable girls, romantic robbers, and trite coincidences.”  Kornei  Chukovsky, Pasternak’s neighbour and comrade, thought the novel was “boring, banal.”  Yevgeny Yevtushenko said it was “disappointing”. Anna Akhmatova told Pasternak to his face that Zhivago was a bad novel “except for the landscapes.” She was being ironic – there are no landscapes in the book.

Not to Pasternak’s face, Nabokov went for Pasternak’s jugular – his vanity. Nabokov called Pasternak’s composition “goistrous and goggle-eyed.”  That turned out to be the perfect picture of a victim, and MI6 and the CIA were able to provoke the Soviet authorities into persecution  of Pasternak the victim. That operation, codenamed AEDINOSAUR,  confirmed  what the West wanted the world to believe – that Russians are bad by a standard noone else in the world is held to.

Pasternak’s story, when it happened and still today,  is also confirmation of the readiness of some Russians to believe that however crapulous and despised they are at home, there will always be love for them across the frontier, in the West.   (more…)

GENERAL GIAP, DESTROYER OF THE FORCE MULTIPLIER, VICTOR OVER TWO EMPIRES

giap

By John Helmer, Moscow

General Vo Nguyen Giap has died in Hanoi, aged 102.

There has been no general of his quality and achievement in modern times. He defeated the French and the Americans, and in two separate wars drove them as decisively out of Vietnam as Kutuzov drove Napoleon out of Russia. Giap, his army and people withstood more conventional bomb weight than was dropped on Germany, Italy and Japan, combined, during World War II. They survived the most massive chemical warfare campaign ever inflicted on earth – that’s the American one. They emerged victors from explosive force “100 times the combined impact of the Hiroshima and Nagasaki atomic bombs.”
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THE HISTORY OF PENIS ENVY IN RUSSIA

By John Helmer, Moscow

At the freedom-flush Moscow parties of the 1990s, I was never sure whether Alexander Venediktov (2) was real, or a Vladimir Mamyshev-Monroe (1) impersonation. Mamyshev-Monroe died last month in what is described as a shallow swimming pool in Indonesia. Venediktov is alive, and like Mamyshev-Monroe does his radio turns on Ekho-Moskvy as performance art. At least those two are/were genuine Russians. There’s a pseudo-Russian in London, calling himself Peter Pomerantsev (3), who claims to have been exiled from Russia at the age of 11 months. He lionizes all that’s bad about Russia for the delectation of the English intelligentsia reading literary papers. He can’t be a Mamyshev-Monroe impersonation; he could be Masha Gessen (4), who does a similar turn for the American intelligentsia, in drag.

Pomerantsev has produced a diary for the current issue of the London Review of Books in which, after a potted version of the last quarter-century of Russian history, he concludes that Mamyshev-Monore and Boris Berezovsky “defined post-Soviet Russia”. By that he means the faker Mamyshev-Monroe (aka performance artiste) was more real than targets like Vladimir Putin whom he mocked. “What place”, Pommy concludes rhetorically, “could he have in a Russia where to watch a grotesque piece of performance art you just had to switch on the news?”
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RUSSIA BIGGERIZED — A DOSE OF QUADRATURIN FOR SIGIZMUND KRZHIZHANOVSKY’S BIRTHDAY

By John Helmer, Moscow

Quadraturin was the stuff which, when squeezed out of a tube and painted on the walls of an 8 square-metre Moscow room, turned it into a much larger one. Biggerized it — is the translator’s term from the Russian.

Russian politicians have been using it for years, long before the arrival in Moscow of $1,000-per hour election technology consultants from the US National Endowment for Democracy.

The author, who is enjoying a boomlet of revival in the literary salons of London and New York at the moment, is considered to be an “experimental realist” (who isn’t?). To help his books sell, he’s also being called “one of the greatest Russian writers of the last century”.
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RED HAS TURNED YELLOW – THE GREEK AND CYPRIOT COMMUNISTS ARE FLYING A DIFFERENT FLAG IN THE UKRAINE WAR



By John Helmer, Moscow
  @bears_with

The Ukraine war is splitting the communist parties of Europe between those taking the US side, and those on the Russian side.

In an unusual public criticism of the Greek Communist Party (KKE) and of smaller communist parties in Europe which have endorsed the Greek criticism of Russia for waging an “imperialist” war against the Ukraine, the Russian Communist Party (KPRF) has responded this week with a 3,300-word declaration:  “The military conflict in Ukraine,” the party said, “cannot be described as an imperialist war, as our comrades would argue. It is essentially a national liberation war of the people of Donbass. From Russia’s point of view it is a struggle against an external threat to national security and against Fascism.”

By contrast, the Russian communists have not bothered to send advice, or air public criticism of the Cypriot communists and their party, the Progressive Party of Working People (AKEL). On March 2, AKEL issued a communiqué “condemn[ing] Russia’s invasion of Ukraine and calls for an immediate ceasefire and the withdrawal of the Russian troops from Ukrainian territories….[and] stresses that the Russian Federation’s action in recognising the Donetsk and Luhansk regions constitutes a violation of the principle of the territorial integrity of states.”

 To the KPRF in Moscow the Cypriots are below contempt; the Greeks are a fraction above it.

A Greek-Cypriot veteran of Cypriot politics and unaffiliated academic explains: “The Cypriot communists do not allow themselves to suffer for what they profess to believe. Actually, they are a misnomer. They are the American party of the left in Cyprus, just as [President Nikos] Anastasiades is the American party of the right.” As for the Greek left, Alexis Tsipras of Syriza – with 85 seats of the Greek parliament’s 300, the leading party of the opposition – the KKE (with 15 seats), and Yanis Varoufakis of MeRA25 (9 seats), the source adds: “The communists are irrelevant in Europe and in the US, except in the very narrow context of Greek party politics.”

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IF IT SMELLS ALLURING, IT’S RUSSIAN – IN WARTIME L’ORÉAL (FRANCE) AND ESTÉE LAUDER (US) MAKE A BAD SMELL



By John Helmer, Moscow
  @bears_with

The war plan of the US and the European allies is destroying the Russian market for traditional French perfumes, the profits of the French and American conglomerates which own the best-known brands, the bonuses of their managers, and the dividends of their shareholders. The odour  of these losses is too strong for artificial fresheners.

Givaudan, the Swiss-based world leader in production and supply of fragrances, oils and other beauty product ingredients, has long regarded the Russian market as potentially its largest in Europe; it is one of the fastest growing contributors to Givaudan’s profit worldwide. In the recovery from the pandemic of Givaudan’s Fragrance and Beauty division – it accounts for almost half the company’s total sales — the group reported “excellent double-digit growth in 2021, demonstrating strong consumer demand for these product categories.”    Until this year, Givaudan reveals in its latest financial report, the growth rate for Russian demand was double-digit – much faster than the  6.3% sales growth in Europe overall; faster growth than in Germany, Belgium and Spain.    

Between February 2014, when the coup in Kiev started the US war against Russia, and last December, when the Russian non-aggression treaties with the US and NATO were rejected,   Givaudan’s share price jumped three and a half times – from 1,380 Swiss francs to 4,792 francs; from a company with a market capitalisation of 12.7 billion francs ($12.7 billion) to a value of 44.2 billion francs ($44.2 billion). Since the fighting began in eastern Ukraine this year until now, Givaudan has lost 24% of that value – that’s $10 billion.  

The largest of Givaudan’s shareholders is Bill Gates. With his 14%, plus the 10% controlled by Black Rock of New York and MFS of Boston, the US has effective control over the company.

Now, according to the US war sanctions, trade with Russia and the required payment systems have been closed down, alongside the bans on the importation of the leading European perfumes. So in place of the French perfumers, instead of Givaudan, the Russian industry is reorganizing for its future growth with its own perfume brands manufactured from raw materials produced in Crimea and other regions, or supplied by India and China. Givaudan, L’Oréal (Lancome, Yves Saint Laurent), Kering (Balenciaga, Gucci), LVMH (Dior, Guerlain, Givenchy), Chanel, Estée Lauder, Clarins – they have all cut off their noses to spite the Russian face.

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THE WAR AGAINST FOOD – WHO IS TO BLAME



By Nikolai Storozhenko, introduced and translated by John Helmer, Moscow
  @bears_with

This week President Joseph Biden stopped at an Illinois farm to say he’s going to help the  Ukraine ship 20 million tonnes of wheat and corn out of storage into export, thereby relieving  grain shortages in the international markets and lowering bread prices around the world.  Biden was trying to play a hand in which his cards have already been clipped. By Biden.  

The first Washington-Kiev war plan for eastern Ukraine has already lost about 40% of the Ukrainian wheat fields, 50% of the barley, and all of the grain export ports. Their second war plan to hold the western region defence lines with mobile armour, tanks, and artillery  now risks the loss of the corn and rapeseed crop as well as the export route for trucks to Romania and Moldova. What will be saved in western Ukraine will be unable to grow enough to feed its own people. They will be forced to import US wheat, as well as US guns and the money to pay for both.

Biden told his audience that on the Delaware farms he used to represent in the US Senate “there are more chickens than there are Americans.”  Blaming the Russians is the other card Biden has left.  

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EXILE



By John Helmer, Moscow
  @bears_with

The problem with living in exile is the meaning of the word. If you’re in exile, you mean you are forever looking backwards, in geography as well as in time. You’re not only out of place; you’re out of time — yesterday’s man.

Ovid, the Roman poet who was sent into exile from Rome by Caesar Augustus, for offences neither Augustus nor Ovid revealed, never stopped looking back to Rome. His exile, as Ovid described it, was “a barbarous coast, inured to rapine/stalked ever by bloodshed, murder, war.” In such a place or state, he said, “writing a poem you can read to no one is like dancing in the dark.”

The word itself, exsilium in Roman law, was the sentence of loss of citizenship as an alternative to loss of life, capital punishment. It meant being compelled to live outside Rome at a location decided by the emperor. The penalty took several degrees of isolation and severity. In Ovid’s case, he was ordered by Augustus to be shipped to the northeastern limit of the Roman empire,  the Black Sea town called Tomis; it is now Constanta, Romania. Ovid’s last books, Tristia (“Sorrows”) and Epistulae ex Ponto (“Black Sea Letters”), were written from this exile, which began when he was 50 years old, in 8 AD, and ended when he died in Tomis nine years year later, in 17 AD.  

In my case I’ve been driven into exile more than once. The current one is lasting the longest. This is the one from Moscow, which began with my expulsion by the Foreign Ministry on September 28, 2010.  The official sentence is Article 27(1) of the law No. 114-FZ — “necessary for the purposes of defence capability or security of the state, or public order, or protection of health of the population.” The reason, a foreign ministry official told an immigration service official when they didn’t know they were being overheard, was: “Helmer writes bad things about Russia.”

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IN THE FOG OF WAR THERE’S THE GUTERRES CERTAINTY AND THE CADIEU CERTAINTY – GORILLA RADIO SEES THROUGH THE COVER-UP



By John Helmer, Moscow
  @bears_with

Antonio Guterres is the Secretary-General of the United Nations (UN), who attempted last month  to arrange the escape from Russian capture of Ukrainian soldiers and NATO commanders,  knowing they had committed war crimes. He was asked to explain; he refuses.   

Trevor Cadieu is a Canadian lieutenant-general who was appointed the chief of staff and head of the Canadian Armed Forces last August; was stopped in September; retired from the Army this past April, and went to the Ukraine, where he is in hiding. From whom he is hiding – Canadians or Russians – where he is hiding, and what he will say to explain are questions Cadieu isn’t answering, yet.

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DID UN SECRETARY-GENERAL GUTERRES COMMIT A WAR CRIME AT AZOVSTAL?

By John Helmer, Moscow
  @bears_with

Antonio Guterres, the United Nations Secretary-General, is refusing this week to answer questions on the role he played in the recent attempt by US, British, Canadian and other foreign combatants to escape the bunkers under the Azovstal plant, using the human shield of civilians trying to evacuate.

In Guterres’s meeting with President Vladimir Putin at the Kremlin on April 26 (lead image), Putin warned Guterres he had been “misled” in his efforts. “The simplest thing”, Putin told Guterres in the recorded part of their meeting, “for military personnel or members of the nationalist battalions is to release the civilians. It is a crime to keep civilians, if there are any there, as human shields.”  

This war crime has been recognized since 1977 by the UN in Protocol 1 of the Geneva Convention.  In US law for US soldiers and state officials, planning to employ or actually using human shields is a war crime to be prosecuted under 10 US Code Section 950t.  

Instead, Guterres ignored the Kremlin warning and the war crime law, and authorized UN officials, together with Red Cross officials,  to conceal what Guterres himself knew of the foreign military group trying to escape. Overnight from New York, Guterres has refused to say what he knew of the military escape operation, and what he had done to distinguish, or conceal the differences between the civilians and combatants in the evacuation plan over the weekend of April 30-May 1.May.

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THE LAST DITCH IS POLAND – RUSSIA’S PHASE-3 PLAN FOR WESTERN UKRAINE



By Vlad Shlepchenko, introduced & translated by John Helmer, Moscow
  @bears_with

The more western politicians announce pledges of fresh weapons for the Ukraine, the more Russian military analysts explain what options their official sources are considering to destroy the arms before they reach the eastern front, and to neutralize Poland’s role as the NATO  hub for resupply and reinforcement of the last-ditch holdout of western Ukraine.

“I would like to note,” Defense Minister Sergei Shoigu, repeated yesterday, “that any transport of the North Atlantic Alliance that arrived on the territory of the country with weapons or material means for the needs of the Ukrainian armed forces is considered by us as a legitimate target for destruction”.  He means the Ukraine border is the red line.

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THE MATLIN PLOT, THE BROWDER PLOT AND THE NEW YORK TIMES PLOT



By Lucy Komisar,  New York*
  @bears_with

Here’s a story the New York Times has just missed.

US politicians and media pundits are promoting the targeting of “enablers” of Russian oligarchs who stash their money in offshore accounts. A Times article of March 11   highlighted Michael Matlin, CEO of Concord Management as such an “enabler.” But the newspaper missed serious corruption Matlin was involved in. Maybe that’s because Matlin cheated Russia, and also because the Matlin story exposes the William Browder/Sergei Magnitsky hoax aimed at Russia.

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YELLOW COAL, THE FUEL MADE OUT OF RACE HATRED — MAY DAY MESSAGE FROM SIGIZMUND KRZHIZHANOVSKY, 1939



By John Helmer, Moscow
  @bears_with

In 1939 a little known writer in Moscow named Sigizmund Khrzhizhanovsky published his idea that the Americans, then the Germans would convert human hatred into a new source of energy powering everything which had been dependent until then on coal, gas, and oil.

Called yellow coal, this invention originated with Professor Leker at Harvard University. It was applied, first to running municipal trams, then to army weapons, and finally to cheap electrification of everything from domestic homes and office buildings to factory production lines. In Russian leker means a quack doctor.

The Harvard professor’s idea was to concentrate the neuro-muscular energy people produce when they hate each other.  Generated as bile (yellow), accumulated and concentrated into kinetic spite in machines called myeloabsorberators, Krzhizhanovsky called this globalization process the bilification of society.

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IS CAESARISM THE PROBLEM, THE SOLUTION, A FANCY DRESS COSTUME, OR A PROPAGANDA CARTOON?



By John Helmer, Moscow
  @bears_with

In imperial history there is nothing new in cases of dementia in rulers attracting homicidal psychopaths to replace them.  It’s as natural as honey attracts bees.

When US President Woodrow Wilson was incapacitated by a stroke on October 19, 1919, he was partially paralysed and blinded, and was no longer able to feed himself, sign his name, or speak normally; he was not demented.

While his wife and the Navy officer  who was his personal physician concealed his condition, there is no evidence that either Edith Wilson or Admiral Cary Grayson were themselves clinical cases of disability, delusion,  or derangement. They were simply liars driven by the ambition to hold on to the power of the president’s office and deceive everyone who got in their way.  

The White House is always full of people like that. The 25th Amendment to the US Constitution is meant to put a damper on their homicidal tendencies.

What is unusual, probably exceptional in the current case of President Joseph Biden, not to mention the history of the United States,  is the extent of the president’s personal incapacitation; combined with the clinical evidence of psychopathology in his Secretary of State Antony Blinken;  and the delusional condition of the rivals to replace Biden, including Donald Trump and Hillary Clinton.

Like Rome during the first century AD, Washington is now in the ailing emperor-homicidal legionary phase.  But give it another century or two, and the madness, bloodshed, and lies of the characters of the moment won’t matter quite as much as their images on display in the museums of their successors craving legitimacy, or of successor powers celebrating their superiority.  

Exactly this has happened to the original Caesars, as a new book by Mary Beard, a Cambridge University professor of classics, explains. The biggest point of her book, she says, is “dynastic succession” – not only of the original Romans but of those modern rulers who acquired the Roman portraits in marble and later copies in paint, and the copies of those copies, with the idea of communicating “the idea of the direct transfer of power from ancient Romans to Franks and on to later German rulers.”

In the case she narrates of the most famous English owner of a series of the “Twelve Caesars”, King Charles I — instigator of the civil war of 1642-51 and the loser of both the war and his head – the display of his Caesars was intended to demonstrate the king’s self-serving “missing link” between his one-man rule and the ancient Romans who murdered their way to rule, and then apotheosized into immortal gods in what they hoped would be a natural death on a comfortable bed.

With the American and Russian successions due to take place in Washington and Moscow in two years’ time, Beard’s “Twelve Caesars, Images of Power from the Ancient World to the Modern”,  is just the ticket from now to then.

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